Tuesday 207: Beginner's Courage

I say to the young: "Do not stop thinking of life as an adventure. You have no security unless you can live bravely, excitingly, imaginatively."

- Eleanor Roosevelt

Many a false step was made by standing still.

– Fortune cookie

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

A New Favorite

Richard Diebenkorn has been one of my favorite painters, if not the favorite, ever since Colin Page introduced me to his work when I was a freshman at Cooper. (Colin, the sage senior, also gave me the life changing and course setting advice to study with Susanna Coffey and Don Kunz.)

A couple weeks ago I found a Diebenkorn painting that I had never seen before posted alongside an article on Bluinartinfo

I love this painting! I don't think I would ever tire of looking at it.

Tuesday 207: Mostly Water

Mostly Water
Sale Price:$207.00 Original Price:$300.00

"We are, in fact, mostly water. As terrestrial organisms we may live on solid ground and breath air, but as a collection of individual cells we still live within the same liquid medium from which we emerged. Every organ and system in the body supports in some way the containment, the renewal, and the circulation of this internal sea."

Deane Juhan in Job's Body: A Handbook for Bodyworkers

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

Artist Agnes Martin On Inspiration, Interruptions, Cultivating A Creative Atmosphere, And The Only Type Of Person You Should Allow Into Your Studio

I was glad to have my brain picked by a recent post on Maria Popova's blog, in which she shared some choice quotations from Agnes Martin: Paintings, Writings, Remembrances. Two thoughts by this great modernist artist that I loved were, first, regarding inspiration:

"Young children have more time in which they are untroubled than adults. They have therefore more inspirations than adults. The moments of inspiration added together make what we refer to as sensibility — defined in the dictionary as 'response to higher feelings.' The development of sensibility is the most important thing for children and adults alike, but is much more possible for children. What is the experience of the small child in the dirt? He suddenly feels happy, rolls in the dirt probably, feels free, laughs and runs and falls. His face is shining… 'The light was extraordinary, the feeling was extraordinary' is the way in which many adults describe moments of inspiration. Although they have had them all their lives they never really recall them and are always taken by surprise. Adults are very busy, taught to run all the time. You cannot run and be very aware of your inspirations."

And secondly, on studio practice:

"You must clean and arrange your studio in a way that will forward a quiet state of mind. This cautious care of atmosphere is really needed to show respect for the work. Respect for art work and everything connected with it, one’s own and that of everyone else, must be maintained and forwarded. No disrespect, carelessness or ego [and] selfishness must be allowed to interfere if it can be prevented. Indifference and antagonism are easily detected — you should take such people out immediately. Just turning the paintings to the wall is not enough. You yourself should not go to your studio in an indifferent or fighting mood."

Tuesday 207: Buttermilk Bath

In ancient Egypt, Cleopatra used to soak in baths of buttermilk in order to preserve her beauty and the radiance of her skin. Today in Maine, we soak in the bath of Gulf Hagas' Buttermilk Falls in order to preserve both our sense of place and our sense of timelessness. We are here, now, in this fluid moment and frothy falls. We are ourselves fluid, flowing like the Pleasant River, through a gorge of rocks formed 400 million years ago. This is beauty.

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

"Monhegan…the Muse" Exhibit Opens at Common Street Arts

Reception Thursday January 28th, 5 - 7pm

WATERVILLE- Visitors to Common Street Arts starting this week will be treated to fifty works of art from the Lupine Gallery collection on Monhegan Island.  "Monhegan ..the Muse" suggests the profound influence Monhegan has had for generations on a community of artists from all over the world. The exhibit will be open from now through February 27 from Wednesday – Friday, Noon – 5 PM and Saturday’s from 10 AM – 1 PM. The gallery is located at 16 Common Street in Waterville and can be reached by calling (207) 872-ARTS.

According to Waterville Creates! Programs Manager, KiKA Nigals, “The collection includes oils, watercolors, etchings, acrylics and other media from artists ranging from established artists like Lynne Drexler to artists who are known for other talents like Zero Mostel.  All artists have been profoundly influenced by this Maine island, which is apparent in their work.  It is an eclectic collection that is sure to please varied interests and anyone who has an interest in this legendary artist community.”

A reception is scheduled for January 28 from 5 – 7 PM at the gallery and will feature Tiger Saw with new songs from their recent album recorded on Monhegan.

Artists represented in this show include: Sylvia Alberts, Carol Aronson-Shore, Kevin Beers, Alice Boynton, Frank Bruckmann, Ralph Bush, Kate Cheney Chappell, Rick Daskam, Lynne Drexler, Ralf Feyl, Sears Gallagher, Susan Gilbert, Alison Hill, Emil Holzhauer, Jessica Lee Ives, Elena Jahn, David Kasman, Bruce Kornbluth, Frances Kornbluth, Glen Krause, Nicholas Luisi, William Manning, William McCartin, Kate McGloughlin, Leo Meissner, Dylan Metrano, Stan Moeller, Zero Mostel, Paul Niemiec, Daphne Pulsifer, Carol Raybin, Elmer Rising, Arline Simon, Mike Stiler, Don Stone, Caleb Stone and Michael E. Vermette.

Almost There, 10" x 22" oil on panel, 2015

Almost There, 10" x 22" oil on panel, 2015

Tuesday 207: In The Midst Of It

As the sheer and narrow slate cliffs of Gulf Hagas soften towards the end of our hike along the Rim Trail, we descend toward Buttermilk Falls. 400 million years ago the bedrock of this, "the grand canyon of Maine," began to form. 7500 years ago the Red Paint people used this land as burial grounds. 100 years ago logs were driven through this gorge to fuel the smelting operations at Katahdin Iron works. Today, on this day, we stop and wonder. Deep in the heart of the gulf we are surrounded by it all.

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

"Seeing Atmosphere"

Sometimes I use this blog as a way to catalog certain paintings or words by others that I want to "keep." I'm recommitting to more posting along these lines! To this end, an interview with Eve Mansdorf on Painting Perceptions is making the rounds amongst painter friends and I, too, have found riches in it. I especially love what Mansdorf has to say about "painting the immaterial aspects of what makes the thing be there," which to me seems connected to her thoughts about leaving her paintings open. 

"Early on it was a very conscious thing to try to get air in my paintings. At this point it has become intuitive and I can’t help it. With still lifes I would set things up to make that happen. I would group things so that objects would merge into each other and then, in comparison, other things would appear more distinct. So there is a kind of seeing atmosphere and figuring out how to paint that atmosphere as much as trying to paint the objects themselves. It’s like painting the light as much as you’re painting the object. Painting the immaterial aspects of what makes the thing be there. But with the larger figure paintings there is a way I’m moving the painting around for quite awhile during the process of painting it, so it’s literally open in a certain way for a long time and maybe parts of it don’t ever completely close up. I’m still pushing it around when the painting is just about finished.... 

"I will work on a painting as long as it’s still in the studio and hasn’t been shown yet. It’s always up for grabs. My painting process at this point allows for that to happen. I often start a painting and really go at it for a while but after several months reach this point where I get stuck and don’t know what to do next or maybe I just hate the painting and don’t want to look at it for a while. I will let it sit while I work on something else. I wouldn’t have done this earlier in my painting life, I might have been more destructive, but I now realize it can be a fruitful thing to leave it just sitting there. I will start something else and it usually seems like after about 6 months I’ll turn around one day and get a new idea about it and start painting it again. However, once I’ve put the work in a show or it’s really been seen in a public way I can feel detached from it. Even if it comes back to the studio; it’s almost like it’s not mine anymore, even if I realize things I should have done."

Eve Mansdorf, Kiddy Pool, 48 x 40 inch oil on linen on panel

Eve Mansdorf, Kiddy Pool, 48 x 40 inch oil on linen on panel

Eve Mansdorf, Shark Pool, 32 x 24 inch oil on muslin on panel

Eve Mansdorf, Shark Pool, 32 x 24 inch oil on muslin on panel

Tuesday 207: Benchwarmers

Benchwarmers / 4" x 4" / 2016
Sale Price:$207.00 Original Price:$300.00

Who would ever want to get back in the game and leave Monhegan Island when you (or two) can sit on the bench and enjoy such a view?

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

Tuesday 207: Year Round

It's 120 miles from Popham Beach to Moosehead Lake as the crow flies. The Kennebec River, however, is not a crow. Nor is it all "long quiet waters" as the translation of its Abenaki name or as its placid appearance from Augusta oceanward would have us believe. As Maine was settled by Europeans, nine dams and miles of rapids and riffles were created between Moosehead Lake and Augusta. The East Outlet, the first three-mile stretch of water after the dam at the river's source, is managed for fly fishing year round and offers some of the best landlocked salmon and brook trout fishing in the state. When we fished there in November we were sure to wear our blaze orange.

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

We Made It!

After driving 4,200 miles from Maine to Oregon via DC, Nashville, and Santa Fe, we finally landed in Bend just before Christmas. We're settled and we're loving it! I have a small studio setup and got back into the swing of things last week. The first painting I made here was a small portrait of friend Joy during a hike along the Deschutes River. Jonathan and I plan to hike along more of this river and fish its waters soon; until then I'll happily let my paintbrush keep me connected to the East Outlet and Maine's waters as well! As 2015 comes to a close we're just incredibly grateful for this adventure we're on and can't wait to see what transpires over the next year. Many and belated thanks to all who helped make my November sale -- and as a result this adventure! -- a huge success. You know how you are and you should keep an eye out for a postcard from Bend!

On The Road...

Indeed, what is the adventure in traveling such great distances and achieving such daring acts if (like any workaday consumer) you choose your experience in advance and approach it with specific expectations? The secret of adventure, then, is not to carefully seek it out but to travel in such a way that it finds you. To do this, you first need to overcome the protective habits of home and open yourself up to the unpredictability. As you begin to practice this openness, you’ll quickly discover adventure in the simple reality of a world that defies your expectations. More often than not, you’ll discover that ‘adventure’ is a decision after the fact — a way of deciphering an event or an experience that you can’t quite explain.
— Rolf Potts, Vagabonding

Sale Begins Today at 10am EST!

Jonathan and I are moving to Bend, Oregon and I simply can’t take my paintings with me! It would be a pity to store them while we’re away and so I’m hosting an online sale to help find them good homes. All paintings will be half-off for one week only. Half-off?! That’s right. I’ve had a remarkable summer season and with a heart full of gratitude this sale is a personal act of thanksgiving, a way to connect the work with a broader audience, and a “Week of Color” to counteract the madness of Black Friday.

The sale will start at 10 a.m. EST on Tuesday, November 10th and will end at 9:59 a.m. EST on Tuesday November 17th. I’ll post a reminder on Monday the 9th, but mark your calendars just the same!

Bend, Oregon is a town known to recreational and professional athletes the world over, i.e. the type of folks I like to paint! While we’re there, we plan to study the human body and its capacity for movement at the Sage School with a focus on Clinical and Sports Massage. It’s no secret that Jonathan and I enjoy our active lifestyle, and that my painting has developed in direct correlation with the increased freedom I (and we) have experienced in our living, moving, and being. We’re ready to learn more about the human body, health, wellness, and movement. Yes, of course I will continue to paint! There will be new sources of inspiration to explore out west and there are already exciting events planned for 2016 here, back east. Stay tuned!

Tuesday 207: The Apple Chapel

One of my favorite places in the world is Hope Orchards.  A few years back I almost bought a piece of land right across the street from the orchard. Recently, when my brother flew home to enjoy a long, fall weekend in Maine, we visited the orchard and spent an afternoon picking from the rows and rows of Macouns, Cortlands, and Northern Spies. The late afternoon light was magic. Soft and blindingly sparkling at the same time. The form of my brother, his hat tipped back, apple in hand, dappled in and out of solid appearance. The checks of his plaid shirt chased off into the leaves of the trees at times, while the features of his face played hid and seek with the back-light. Only by his ears could I tell he was really and truly there, standing before me.

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

Q & A Over At vandervenstudios.com

I've been the featured artist for the month of October on the vandervenstudios.com blog. Many thanks to Siem van der Ven, my high school art teacher and a man who has cultivated the skill and enthusiasm of countless young artists!

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Name: Jessica Ives

Year of HS graduation: 1999, when my last name was Stammen

Current Location: Damariscotta, Maine

What fills your days?

Learning. Whether I’m painting, swimming, stretching, reading, dancing, cutting a carrot, or driving in the car with my husband, I think it’s good to remember that it’s all learning, that I’m learning to see, and that I’m learning to see more more beautifully every day. I have a sneaking suspicion that how I see and why I see determines what I see. And by learning to see I mean cultivating a capacity that includes, but goes far beyond the visual. Yes, I believe this kind of learning can happen even, and especially, when cutting carrots.

Also, I keep these words by Baba Haridass pinned to my studio wall, as a reminder of the simple things worth filling a day with:

Work honestly,

meditate everyday,

meet people without fear

and play.

What’s most important to you about what you do?

That I love what I do is, to me, the most important thing about what I do. Any other reason I would or could give — as honest, as impressive, or as articulate as it could be — must be secondary to this. We live in a time and place where reason and wordy whys burden everything. Especially art. Love, beauty, enjoyment — as experiences, in and of themselves — are not so much valued. But I agree with Joseph Campbell who has said, “People say that what we are seeking is a meaning for life. I don’t think this is what we’re really seeking. I think what we’re seeking is an experience of being alive.”

What impossible dreams or goals do you keep reaching toward?

Tim Keller has said, “You should never go to God because he’s useful. Go to God because he’s beautiful. And yet there’s nothing more useful than finding God beautiful.” I love the paradox in this! I love the mystery and the adventure that it implies. I love that it turns me on my head and puts the world upside down. I think learning to see beauty, without a need for utility, is a goal worth living, and something that will take a lifetime.

Also, I’d like to read all the books I own. This, too, might take a lifetime. I need to stop buying books!

What do you need to keep going?

Beauty, lots of time spent outside playing, and a healthy capacity to say no.

Further comments?

I prefer to paint on the floor! I squat in front of my panels in the manner that most the world’s population sits and rests, butt to heels. Chairs sort of bum me out.

Into The Light, 20" x 30" oil on panel

Into The Light, 20" x 30" oil on panel

Working on the floor in the studio

Working on the floor in the studio

Tuesday 207: Decisive

Decisive / 4" x 4" / 2015

Now available through Glesason Fine Art

Streams running, air crisping, lines looping.
Leaves starting to change, light more direct.
A fisherman selects from his fly box and I from my palette.
By rod and by brush, we both make a cast to see what’s below the surface.

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

Tuesday 207: About Life

About Life / 4" x 4" / 2015

Now available through Courthouse Gallery Fine Art

I am unable to distinguish between the feeling I have about life and the way I translate it.
Henri Matisse

Do. Be. Do. Be. Do.
Frank Sinatra

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.

At The Movies With Dior, Hockney, Vermeer, & Pollock

Here are four film's I've really enjoyed in the past few months, all about artists, art, and the creative process. I can't tell you how many times I whisper-exclaimed, "Oh, that's beautiful," during Dior And I. In Tim's Vermeer my mind was blown. And in Pollock kept hearing echo of my freshman year drawing professor at Cooper, Lisa Lawley, telling stories in class about the time she was hired to paint the work featured in this movie. She had to paint Pollock's at every stage of development. Click on the movie posters to view trailers.

Tuesday 207: Putt-Putt Par

Putt-Putt / 4" x 4" / 2015

Now available through Glesason Fine Art

Par / 4" x 4" / 2015

Now available through Glesason Fine Art

I needed to have a little fun with the 207 feature this week so I joined Jonathan for a late summer round of nine holes. Not eighteen. Just nine. It's been a jam-packed season and there's no more need to overachieve. It's time to slow down to the putt-putt speed of a golf-cart, to stop keeping score, and to admit that the evening light will be the only player to beat par.

Golf is so popular simply because it is the best game in the world at which to be bad.  --A.A. Milne

I have a tip that can take five strokes off anyone's golf game: it's called an eraser. --Arnold Palmer

If a lot of people gripped a knife and fork the way they do a golf club, they'd starve to death.  --Sam Snead

The reason the pro tells you to keep your head down is so you can't see him laughing.  --Phyllis Diller

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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine  and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.

Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.